lavender plant Lavandula angustifolia 'Munstead' | Outdoor Plant
SKU: 7053799285
lavender plant

lavender plant Lavandula angustifolia 'Munstead' | Outdoor Plant

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Description

lavender plant Lavandula angustifolia 'Munstead' | Outdoor PlantClassic compact lavender with Lavandula angustifolia 'Munstead' Lavandula angustifolia 'Munstead' is a compact English lavender with violet blue flower spikes and a strong, familiar scent. It forms a neat mound that reads cleanly as edging or as a repeated accent through sunny beds and container plantings. The plant keeps a woody framework, so it offers structure beyond flowering. With consistent, light shaping, the outline stays dense and the foliage

Classic compact lavender with Lavandula angustifolia 'Munstead'

Lavandula angustifolia 'Munstead' is a compact English lavender with violet-blue flower spikes and a strong, familiar scent. It forms a neat mound that reads cleanly as edging or as a repeated accent through sunny beds and container plantings.

The plant keeps a woody framework, so it offers structure beyond flowering. With consistent, light shaping, the outline stays dense and the foliage remains an active part of the display rather than a background layer.

Munstead growth and seasonal shape

Spring growth starts from the woody base and quickly fills out into a rounded mound. Flower stems rise above the foliage in summer, then the plant settles back into evergreen texture once spent stems are removed.

A mature plant usually reaches around 45-60 cm in height with a spread around 60 cm, depending on root space and pruning. In pots, growth tends to stay more restrained, which can be useful when you want a compact lavender shape close to seating.

Sunny placement and soil texture

Open sun supports firm growth and better flowering. A lean, well-drained root zone is the main requirement; lavender copes with a wide pH range when drainage is good and the crown is not kept damp.

If soil is heavy, improve structure with grit through the planting area and avoid thick organic mulch against the base. In gravel-style planting, the foliage and flowers read especially well against stone and pale mineral surfaces.

Reading pot moisture by depth

Use a pot with generous drainage and a gritty outdoor mix. Water thoroughly when needed, then allow the mix to dry back so roots regain air.

A simple check is the top third of the pot: when it feels dry and the container is noticeably lighter, water deeply and let excess drain away. Avoid keeping the centre constantly moist, especially during cool or wet spells.

Pruning Munstead after flowering

Light shaping after bloom keeps the mound tight and helps prevent woody gaps forming. Keep cuts in green growth where leafy buds are present.

  • After flowering: cut off spent stems and lightly round the mound.
  • Spring tidy: remove winter damage once new shoots are moving.
  • Cut depth: avoid cutting back into bare wood with no leafy growth.
  • Feeding: keep nutrition light; overly rich growth softens stems and scent.

Munstead issue signals

A dull, soft centre is usually a drainage signal rather than a drought signal. In containers, repeated rain plus a heavy mix can trigger quick decline unless excess water can escape freely.

Reduced flowering most often links to reduced sun or pruning that was too late in the season. If the plant looks open and leggy, a slightly earlier trim and brighter exposure usually restores density.

Practical uses for Munstead

Lavandula angustifolia 'Munstead' suits herb gardens, path edging, small sunny beds, and container groups where you want a compact lavender mound with reliable summer colour. It pairs easily with rosemary, thyme, salvias, and fine grasses, and it holds its place in a scheme beyond peak flowering.

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SKU: 7053799285

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rae desmond jones
Cuba, US
★★★★★ 5
Above The River: The Complete Poems of james Wright
Format: Paperback
This volume is fascinating, because it does show the different stages of Wright's development as a poet and a writer (the prose sketches and descriptions of Italy are wonderful). The early poems are extremely capable but there is a sense in which they feel constrained by formal verse conventions, especially rhyme. This becomes evident when he writes in free verse and his voice becomes easier and more vernacular. Some of the poems like "Hook" and "To A Blossoming Pear Tree" are wonderful: 'An old man / Appeared to me once / In the unendurable snow./ He had singe of white beard on his face. / He paused on a strett on Minneapolis / And stroked my face. // Give it to me, he begged / I'll pay you anything. // I flinched. Both terrified, / We slunk away, / Each in his own way dodging / The cruel darts of the cold. " There are some late poems when he becomes almost incoherent, but the centre of the book is a whole series of poems as powerful and honest as this.
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Reviewed in the United States on March 21, 2011
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Jabbo&MsLove
Belleville, US
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
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Jerry Mcginley
Boise, US
★★★★★ 5
Above the River: The Complete Poems of James Wright
Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010
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M. Swinney
Cuba, US
★★★★★ 4
Sublime Poetry Slightly Flawed by Format
Format: Paperback
I hate to give this work anything less than 5-stars, because at the moment (and probably most future moments) I revere James Wright's poetry. He makes blue collar blackened river Ohio come alive riven death with darkness and life. So this book is a must for poetry lovers. Where it distracts me is the attempts at completeness is a difficult editor's dilemma and one that doesn't serve the poet or the poet's reader well here. There are two James Wright's out there (this book presents three), as is true with most sublimated artist that pass through a learning phase before hitting on their voice, their style. James Wright started as a formalist (not my favored style) hailing structure and rhyme sometimes at the expense of meaning and language (disclaimer...one man's humble opinion belies a personal taste and no two taste buds seem the same). The book of course being a complete work, offers all of those poems of bandied prose. And then the editor offers a bridge or break of sorts in Wright's translated works of German and Spanish poets. Wright was a great poet in English, but the gift of gifted translation should have been left to the likes of W.S. Merwin, Anthony Kerrigan, Charles Tomlinson, and Stephen Mitchell for Neruda, Paz, and Rilke. So, Wright's "Above the River," really first breaks the surface on page 119 after his epiphany to all thing free form. It is then that his poetry sings darkly. I leave you with some of Wright's beautiful language (there's plenty to be had). Buy the book for the rest. In Fear of Harvests It has happened Before: nearby, The nostrils of slow horses Breathe evenly, And the brown bees drag their high garlands, Heavily, Toward hives of snow.
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Reviewed in the United States on September 30, 2003
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Jeffrey Tedford
Charlottesville, US
★★★★★ 5
A Twentieth Century Teasure
Format: Paperback
James Wright's poems are acts of courage. His persistent advocacy of the underdog is real and clear-eyed(American Twilights 1957, written fo the executed killer Caryl Chessman). "Arrangements with Earth for Three Dead Friends" is one of the most moving elegies I know in the language (taken from his early career). Then there are the wonderful and luminous translations "ten Short Poems: from the Spanish of Juan Ramon Jiminez, Pablo Neruda's "Anguish of Death", Cesar Vallejo's "I Am Freed" and many others. These are vital and wide-ranging poems that belong in every library.
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Reviewed in the United States on June 11, 2013

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