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Description
princess dress red Princess Short Red Dress with Off Shoulder Organza Top & Puffy SkirtDESCRIPTION Princess Short Red Dress with Off Shoulder Organza Top and Puffy Skirt with Lace Bottom, Knee Length Red Dress for Prom or Wedding Party This Princess Style Dress in Knee Length is Amazing! Beautiful Bounced Off shoulder Neckline and Back with Flower Decoration is Reminding of Fairy Tale characters! Ruched Bodice is Tight Fitting. And it Flares into Puffy Knee Length Skirt which is looking sooo Flirty and Girly! The Hem is Decorated by
- ◄DESCRIPTION
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Princess Short Red Dress with Off Shoulder Organza Top and Puffy Skirt with Lace Bottom, Knee Length Red Dress for Prom or Wedding Party
This Princess Style Dress in Knee Length is Amazing!
Beautiful Bounced Off shoulder Neckline and Back with Flower Decoration is Reminding of Fairy Tale characters! Ruched Bodice is Tight Fitting. And it Flares into Puffy Knee Length Skirt which is looking sooo Flirty and Girly! The Hem is Decorated by Dramatic Scalloped Lace Hem in Matching Color. And there is Lace Under Layer on the Skirt, which makes the Whole Style even more Beautiful and Unique.
This gown is a Perfect Choice for Wedding Reception or Prom Ball!
You will look like a Modern Princess wearing this Wonderful Gown!
NOTE:
You will need a proper Petticoat to support the Extra Ample Skirt Shape of this Wedding Dress. You can select Petticoat from the Options in my listing.
To see how my Petticoats looks, you can visit my following Listings:
FLUFFY PETTICOAT (PETTICOAT 1)
EXTRA FLUFFY PETTICOAT (PETTICOAT 2)
❤ OPTIONS: You can order FULL DRESS as pictured or ONLY SKIRT or ONLY LACE TOP. Please select from options in listing.
❤ COLOR: RED (SILK CHIFFON #16).
❤ MATERIAL: Silk Chiffon, Tulle, Lace, Scalloped Hem, Soft Underlay.
❤ LENGTH: Knee Length.
❤ OTHER DETAILS: Dress has Bra cups and Boning, closure is Side Zipper. There is 1 Layer of Lace on the Skirt under Silk Chiffon.
❤ CUSTOMIZATION: Please remark your Customization Request during check out. This can also be cleared up after you place your order.
❤ PETTICOAT: Dress has 5 Layers of Tulle Under Skirt. But you can also select Petticoat from Options in listing. Please read ITEM DESCRIPTION below to get more information about Petticoat Options.
❤ RUSH ORDER: I accept Rush Orders. Please contact me.
❤ PACKING: In order to save your shipping cost, dress will be packed tightly with water proof bag.
❤ SHIPPING COST: Shipping cost for Multiple pieces is Cheaper as I will combine them in one package!
- ◄MEASUREMENTS
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CUSTOM MEASUREMENTS
My Dear Bride,
You can get your measurements at home. It's a very simple process.
Just please ask help of someone at home and follow my instructions.
If possible, you may also go to a professional tailor for assistance.
Please click on the image below to see or print my How to Measure Instructions:
Click to Download Full Instructions in PDF
NOTE 1:
If your style don't have sleeves, then you can skip the measurements #9, #10, #11, #12, #13.
Depending on a particular style, I may need additional measurements. After you placed your order, I will inform you about this.
NOTE 2:
All my professional effort and care is to make Your Dress fit You well. However due to nature of custom orders, when You receive Your Dress You may need some alterations so please budget accordingly and plan for some alterations with help of a Local Tailor.
NOTE 3:
If your measurements are in Plus Size Range, then I may require additional Fee. This can be cleared up after you place your order.
STANDARD MEASUREMENTS
I suggest that you send me Your Custom Measurements to get a better fitting. But if somehow You are unable to get Your Custom Measurements, then please choose from my Standard Size Chart Below:
Click to Download PDF - ◄COLOR
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Tips About Color
If you want to change the color of Your Dress to different than the one shown in the photos, then please Select Your Custom Color from my Silk Chiffon Book below and leave your note in your order note or contact me via Live Chat which you can find on the right bottom corner of any page and I will assist you with my comments.
For more information, Please see my following Help Links:
FAQ | Custom Orders | Contact - ◄REVIEWS OF THIS STYLE
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.2 ★★★★★
Based on 6 reviews
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Product Reviews
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016
★★★★★ 5
McKee’s best
Format: Kindle
More relevant than STORY, more useful on a daily basis. This is the book I recommend to all beginning writers. I’ve now read it three times and will read it at least three more. I learn, relearn, and remember bits and pieces each time. It is one of three books that has made me the greatest writer of all time.*
*my opinion, anyway.
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Reviewed in the United States on June 5, 2023
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