transparent overdrive pedals Flattley Guitar Effect Pedals Silver Line Silver Centurion Transparent — Truetone Music

transparent overdrive pedals Flattley Guitar Effect Pedals Silver Line Silver Centurion Transparent — Truetone MusicThe Flattley Silver Centurion was recently featured in Guitarist Magazine Issue 474 August 2021 and further details on this amazing review can be found on their News section under the Home and About pages. You can also watch the Guitarist Magazine demo video of the Silver Centurion on its product page The Flattley Silver Range Silver Centurion pedal is Flattley Guitar Pedals version of a very famous type of transparent overdrive pedal. This pedal is

The Flattley Silver Centurion was recently featured in Guitarist Magazine Issue 474 August 2021 and further details on this amazing review can be found  on their “News” section under the “Home” and “About” pages. You can also watch the Guitarist Magazine demo video of the Silver Centurion on its product page

The Flattley “Silver Range” Silver Centurion pedal is Flattley Guitar Pedals version of a very famous type of transparent overdrive pedal. This pedal is perfect to use on its own to get mild gain sounds that just starts to break up or go full tilt to get a full-on overdrive sound when your amp is set on the clean channel. Alternatively, you can use this pedal to boost an over-driven tube amp or overdrive, distortion, fuzz and muff pedals that will give an amazing sound, clarity and tone. This pedal also cleans up when you turn down the guitar volume without losing the overall volume levels so it is a very versatile pedal that can be used for many different types of applications.

Silver Centurion hints and tips:

The Silver Centurion is a transparent overdrive in the same way that a Klon Centaur is. Transparent means that it doesn’t drastically change the colour of your tone so when you turn the pedal on, it won’t sound like a different guitar tone. It will sound like the same tone, but better. My Strat is just “more Strat”… etc.

This is achieved by separating the frequency spectrum up into several bands and treating each differently. Bass frequencies are passed through untouched giving a full bottom end, treble frequencies also pass through but can be boosted by the tone control, mid frequencies go through a soft clipping circuit to give them an amplitude dependent boost to the harmonics. The gain control controls gain and volume simultaneously to vary the sensitivity and width of the mid band of frequencies.

The pedal also acts as a buffer when in standby which is an advantage if you use it as the first pedal in a chain of effects. This gives you two ways to use the Silver Centurion…

It can be used as a clean boost for your amplifier. A booster adds some extra girth to your signal to push your amp a little harder. Set up a clean tone on your amp and experiment with the pedal. Start off with a low drive level, then gradually build the pedal gain up as you play. You’ll learn how the pedal changes as you add in more gain. If you have a tube amp, you’ll be able to hear how the pedal also begins to push your amp at a certain stage.

You can also set your amp to the point where it’s on the verge of breaking up, then use the pedal to push the amp into overdrive. This is another common way of using a transparent overdrive pedal.

Another way to use a Silver Centurion is to stack it with other drive pedals. You can use a pedal (or your amp) to produce your main drive tone, then you can add in the Silver Centurion when you want your tone to have a bit more sparkle or boost.

The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.

All Flattley “Silver Range” pedals are hand processed in their Flattley paint shop. They are etch primed first to ensure that the primer bonds to the aluminium enclosure which also provides an anti-corrosive protection layer. Multiple coats of base coat primer applied, the silver base coat colour is then applied and topped off with several coats of lacquer. Once the lacquer is hardened, it is then hand polished to achieve the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals. The graphics designed in house by their graphics designer Phoebe Flattley are applied to “Silver Range” effects pedals by UV direct printing in their printing shop.